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Piano accompaniment backing tracks

Bartók: Rhapsody No.1 for Violin



Price:  £8.00 / ($10.40 / €9.52 )
  Special Discount: Spend £20 or more and get 20% off


Bartók: Rhapsody No.1 for Violin
Includes accompaniments for:

1. Prima parte
2. Seconda parte
2. Seconda parte (alternative)



(These scores are suitable for the accompaniment tracks and open in a new tab)



Béla Bartók wrote his first Rhapsody in 1928. It is a substantial work in two movements, the first containing a Hungarian melody against a drone-like accompaniment. Bartók provided two different endings for the second movement, and both are included here. The movement itself is formed from a series of new melodies building towards an accelerando.


These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Please scroll down for samples and performance details for each movement.



Video - listen to audio samples from each movement of this work:




Other works by Bartok



1. Prima Parte

Price:  £4.00 / ($5.20 / €4.76 )
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Piano accompaniment for the 1st movement from Bartok's Rhapsody No.1.

Price includes:
✓ Performance version

Audio sample:

Please click here to see if this track contains clicks/cuts/repeats

Bar 76 (rehearsal mark 12) - click-beats indicate the beats in this bar where violin plays

Bars 84-90: click-beats help keep the pulse in these bars.


2. Seconda parte

Price:  £4.50 / ($5.85 / €5.36 )
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This is the version of the second movement which uses the regular ending Bartok wrote (from figure 25)

Price includes:
✓ Performance version

Audio sample:


2. Seconda parte (alternative ending)

Price:  £4.50 / ($5.85 / €5.36 )
Special Discount: Spend £20 or more and get 20% off

This is the full version of the second movement but which uses the alternative ending Bartok wrote from figure 25

Price includes:
✓ Performance version

Audio sample:

Please click here to see if this track contains clicks/cuts/repeats

From the 'alternative ending' part at figure 24, crotchet click-beats are used to keep the pulse in various bars where I consider it to be helpful.