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Piano accompaniment backing tracks
Ralph Vaughan Williams composed his Oboe Concerto in 1944, and it is one of the most popular concertos in the oboe repertoire.
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Please scroll down for samples and details of each movement.
Bars 9-10 (Cadenza): 14 seconds of silence in the piano part, followed by 2 click-beats to signal the re-entry of the pianoBar 106 (Cadenza - Figure H): 4 click-beats help keep pulse through this mini cadenzaBars 114-115 (Cadenza - Figure K): 4 click-beats in each of these bars help keep pulseBars 116-119: 23 seconds of silence in the piano part is followed by 2 click-beats to indicate the entry of the piano chord in bar 119
2 click-beats at beginning to set pulse
2 click-beats at beginning to set pulseFigure M (before Doppio piu lento): 13 seconds of silence in piano part to allow for this oboe soloFigures O-P (Doppio piu lento section): click-beats are used to indicate the start of bars where piano is silentFigure R (before Doppio piu mosso): click-beats are used to indicate the start of bars where piano is silentFigure W (Presto): In this Presto section, click-beats are used to indicate the start of each bar where piano is silent before piano re-enters at Figure X
This practice version slows down the quicker sections of the 'performance' track above, by around 15-20%. It is included for free with that version if selected.
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Monti: Czardas
Poulenc: Flute Sonata
Williams: Theme from 'Schindler's List'
Schubert: Arpeggione Sonata D.821
Schumann: Fantasiestucke, Op.73
Bruch: Kol Nidrei
Kreisler: Praeludium and Allegro (in style of Pugnani)
Brahms: Clarinet (Viola) Sonata No.1