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Piano accompaniment backing tracks
Giovanni Battista Viotti composed his 23rd Violin Concerto in 1792, and alongside his previous concerto it remains one of his most famous works. This concerto demonstrates Viotti's virtuosity as a violinist, not least in the spectacular cadenza at the end of the first movement. The second movement Andante gives the soloist a little time to breathe before the joyous finale once again calls for a sound technique and indeed a further solo cadenza.
These piano accompaniment tracks help make practising more effective and enjoyable! They are recorded by a professional accompanist and can help you keep in tune and in time, as you listen to the piano part for this work. Please scroll down for samples and details of each movement.
Opening tutti cut to 7 bars of piano solo before violin entersCentral tutti cut to 24 bars of piano soloCadenza: 8 seconds of silence in piano part before 4 click-beats indicate end of cadenza
This practice version slows down the quicker sections of the 'performance' track above, by around 15-20%. It is included for free with that version if selected.
After opening piano chord, 2 click-beats indicate start of violin partCadenza: 8 seconds of silence in piano part before 2 click-beats indicate end of cadenza
Click-beats used in some places to help keep pulse where piano is silentCadenza (figure R): 5 seconds of silence in piano part, before 2 click beats indicate re-entry of violin part, and a further 2 click-beats accompany the first bar after the cadenza where piano is silent
Massenet: Meditation from 'Thais'
Saint-Saens: The Swan
Rachmaninov: Vocalise Op.34 No.14 in E
Elgar: Salut d'Amour
Faure: Sicilienne, Op.78
Franck: Violin Sonata
Faure: Elegie for Cello
Monti: Czardas
Poulenc: Flute Sonata
Williams: Theme from 'Schindler's List'
Schubert: Arpeggione Sonata D.821
Schumann: Fantasiestucke, Op.73
Bruch: Kol Nidrei
Kreisler: Praeludium and Allegro (in style of Pugnani)
Brahms: Clarinet (Viola) Sonata No.1